In my opinion the most interesting track especially with its eerie muted trombone (?) opener, is the last one, Für E.W. (by Mangelsdorff), closing out the LP with a reflective or meditational exercise in thoughtful shifting scales and surf-like cymbals...
And isn't the drawing on the vinyl beautiful? And so seventies-- oh wait, this is 1987. Doesn't matter, unlike the previous two posts, with this record we feel we are back in those groovy seventies again when there was oh so much hope for the future-- and music.
Not so much now.